The artist focuses on the fundamental act of drawing using the most basic tools: paper and stick-shaped charcoal, remaining true to the basics. In this process, the objects that appear without being predefined both deviate from the concept of still life and symbolically embody the goal of achieving visual symmetry.
The variations of objects presented in "Still Life Noir" are filled with regularity and tension. While decorative details increase and the objects are placed on sharp display stands, they seem poised to transform at any moment, ready to confront a new phase on the canvas.
